Friday, November 7, 2008

HIM gig Review

HIM

Festival Hall, Melbourne

March 27th 2008

Maybe it was a coincidence. Or maybe it was a sign of things to come. 

After months of no rain, the heavens opened to give Finnish band HIM a warm (or not so) Melbourne welcome.

The soaking was not enough to deter thousands of black clad fans from filling Festival Hall to catch a glimpse of their favourite band.

But many were about to be disappointed.

Opening act McQueen (an all girl punk/metal band from the UK) were confident and looked the part but didn’t have what the crowd needed to get excited.

Playing a set that was too long created an awkward atmosphere and all the girls seemed to care about was getting off the stage and finding as many drinking buddies as possible.

After McQueen left the stage, HIM-mania began to take over with a Heartagram (the bands logo) visible on every fan.

At last the lights dimmed and the room was filled with smoke and ear piercing screams from the young crowd.

The no smoking indoors law apparently didn’t apply to front man Ville Valo who loomed onstage with a cigarette in hand using every spare moment onstage to light another.

Valo, complete with his signature beanie, initiated very little audience participation, spending most of the set making conversation with his band mates.

When he did acknowledge the fact that there were thousands of eyes glued to him, he mumbled into the mic, at one point complaining about the air conditioning being on and having a book to finish.

The rest of the band remained fairly static with guitarist Linde throwing in a few impressive solos to keep the crowd happy.

There is no doubt about it HIM (completed by Mikko Paananen on bass, Burton on keyboard and Gas on drums) were tight, melodic and sounded amazing but passion and enthusiasm was scarce.

Playing the majority of songs off their latest album Venus Doom, the quintet rolled out old favourites including covers of ‘Wicked Game’ and Black Sabbath’s ‘Black Sabbath’. 

‘Passion’s Killing Floor’ and ‘(Rip Out) The Wings of a Butterfly’ were melodically flawless with the bands musical talent being shown at its best.

Although it seemed the band couldn’t wait to leave, it is clear that they have their fans in the palms of their hands.

Next time, lets hope Valo has finished his book and can concentrate on the task at hand.

 

Birds of Tokyo Interview

Just four years ago, four Perth musicians sat discussing whether or not there were any birds in Tokyo.

They all came to the conclusion that there were no birds in the city, only later to find out they were wrong.

Fast-forward to July 2008 and alternative rock band Birds of Tokyo are days away from releasing their sophomore album Universes.

“We’re all a bit curious and intrigued as to how people will take it because it’s different to what we’ve done before,” says guitarist Adam Sparks.

“Any time we put out new music there’s always a bit of scary water to tread but it’s as exciting as much as it is nerve-racking,” he continues.

Rounded out by Ian Kenny on vocals, Adam Weston on bass and Anthonny Jackson on drums, Birds of Tokyo have enjoyed enormous success, winning two WAMi (Western Australia Music Industry) Awards in 2007 for Favourite Newcomer and Best Male Vocalist and also being included on the Perth leg of the 2007 Big Day Out.

Universes was independently recorded in the Margaret River region of Western Australia and produced by Sparks.

“Being a producer is my job outside of the band so it was a natural thing to do,” says Sparks.

“There were a few people we had talked about using but there was really no one who grabbed our attention who we wanted to work with on this album,” he says.

“We just felt that doing it ourselves we could communicate with each other better than with someone who we weren’t really comfortable with.”

According to Sparks, recording the album was a lot smoother than anyone had predicted and they spread it out over a month which gave them time to create the best album possible.

“We’ve been together for a little while now so everyone is getting a little more comfortable,” he says.

“We usually just sit around for a week or two rehearsing our parts for the record so by the time we go in to record there’s not really much guess work and everyone works pretty fast.”

Universes has been described as being a lot heavier than any of Birds of Tokyo’s previous work but still full of razor sharp pop hooks.

Mixed in Los Angeles by Tim Palmer (Pearl Jam, The Cure), Universes is set to be one of Australia’s best rock albums seen in recent years.

“Each song seems to belong in its own little universe and they’re not really related to each other in any way,” says Sparks.

“So the work Universes is a summation of all the little parts of the record.”

As for many bands, one of the highlights for all members of Birds of Tokyo is touring.

“It’s always great reaching out to all the people and heading to bigger and better places and smaller and more regional places as well,” he says.

When Birds of Tokyo began, it was more of a side project rather than a serious band and no one saw their recent success coming.

“It’s really hard to see from the ground up where it’s going,” says Sparks.

“I’d be lying if I said no one goes into a band thinking this kind of success would be cool but as you’re rolling along you can’t really see it until people remind you of how fortunate you are.”

According to Sparks, the thing that he loves the most about music is the undying idea that connects one person to another.

“Someone can write a song in their bedroom or with their friends in a jam and in some way, whether it’s a small band or a big band and regardless of style, it resonates with at least one other person in the world,” he says.

“People can get something out of that whether it be a feeling of good times or a sorrowful thing, it’s just that connection that music gives us.”

Universes is out now and Birds of Tokyo are on tour in August and September. Check out www.myspace.com/birdsoftokyo for dates.

 

 

 

 

 

 

The Getaway Plan CD Review

The Getaway Plan

Other Voices, Other Rooms

 For those who haven’t heard of The Getaway Plan, you have no idea what you are missing out on.

 

Forming in Melbourne in late 2004, the alternative rock quartet have been taking their home town and Australia by storm.

 

Touring nationally with bands including The Used, Taking Back Sunday and Unwritten Law, it is clear where The Getaway Plan’s influences come from.

 

Their distinct Australian sound mixed with a hint of screamo and alternative rock anthems will no doubt see The Getaway Plan rise to the top.

 

2007 saw them fly to Florida to record their debut album, Other Voices, Other Rooms with producer James Paul Wisner.

 

Debuting at #14 on the National ARIA Charts, Other Voices, Other Rooms gives fans a taste of what is to come from The Getaway Plan.

 

‘Streetlight’ is the first single off the album and can only be described as one of the best rock songs Australia has seen in a long time.

 

Known for their energetic live shows, The Getaway Plan have captured this energy on the album with each song standing out with its own unique sound.

 

The second single ‘Where The City Meets The Sea’ (released on March 15) is a radio-friendly taste of The Getaway Plan but is quickly followed by heavier track ‘Sleep Spindless’ which shows where the bands roots really lie.

 

Brace yourselves to be blown away by one of the best alternative rock bands Australia has ever seen. 

Tuesday, October 14, 2008

PARKWAY DRIVE Sept 2007

By the time you read this, Parkway Drive will be days away from celebrating the release of their second album with their first Australian tour in a year.

Vocalist Winston McCall admits that they have neglected their home country over the past year, spending most of their time in the States with tours also taking them to the UK and Europe.

“We’ve been away so much and we’ve kind of ignored Australia a bit over the last year or so,” he said.

Forming in 2003, Parkway Drive have accomplished in four years what most bands hope to do in a life time.

Growing up listening to punk rock bands like Bad Religion, Pennywise and NOFX has had a profound influence on Parkway Drive’s sound.

According to McCall, “They’re the bands that made the biggest impact on my life.”

The boys from Byron Bay and their hardcore/metal/punk (whatever you want to call it) music has taken them around the world, building them a dedicated fan base along the way.

McCall and his band mates Ben Gordon (drums), Jeff Ling and Luke Kilpatrick (guitar) and Jia ‘Pipey’ O’Connor (bass) have just returned to home soil after a month long stint on the Vans Warped Tour in the US.

As the only Australian band on the line-up, Parkway Drive made the most of the opportunity to play to new crowds.

According to McCall, “The experience was totally different from anything we’ve ever done before. It was like being in a travelling music circus.”

The opportunity to play with over 100 bands in over 30 cities was, according to McCall a once in a lifetime experience.

“American kids seem to go pretty agro. They have a lot of aggression to get out and more than once we had to stop to break up fights.”

“I think they were under the impression that because we were from Australia, they might not get to see us again so they made the most of it which was cool.”

Playing alongside bands including Bad Religion, Pennywise and New Found Glory, was a dream come true for McCall.

“Being able to play with so many bands I’ve loved for so long and being able to watch them every day was awesome.”

With hundreds of bands and even more crew, McCall recalls the daunting task of trying to remember everyone’s names.

“It came to the point where you’d meet someone, then five minutes later you’ve met 10 other people and you’ve forgotten the other person’s name.”

“So it came to the point where everyone just gave up on names. At times it was a bit awkward but still good.”

Playing shows everyday, watching your favourite bands and touring around America is what every band dreams of. But surely there have to be downsides to being a part of Warped Tour.

“The heat in America was probably the worst thing. It was around 40 degrees every day and people didn’t understand what we were complaining about. They think it’s that hot in Australia all the time.”

“But other than that there is nothing to complain about because you get fed, you get driven everywhere and you get to play and see all these amazing bands.”

Parkway Drive’s energetic blend of punk and metal built them up a reputable fan base at Warped Tour and according to McCall, they didn’t have a problem with people who might not have been their fans.

“The thing with Warped was if people didn’t like your band they moved on because there were so many bands playing at once there was always something for someone.”

With around 10 stages running at the same time, Parkway Drive were one of the bands that stood out.

“If people hadn’t heard us before and they did stumble across us they really liked what they heard. We got a lot of good feedback from the tour and people watching us.”

Music festivals all over the world are renowned for being full of strange sights. Interesting fashions are the most common, but in Parkway Drive’s case, it’s lucky they’re still alive.

“While we were playing in Cleveland an enormous storm hit. Apparently there was a tornado down the road.”

“We hid in our van and when we came out after the storm 100 merchandise tents had been blown down and destroyed and three kids had been struck by lightning.”

After that little episode, Parkway Drive continued on their way showcasing new material to thousands of fans.

Having just completed recoding their follow up album to ‘Killing With ‘Smiles’ in Massachusetts, ‘Horizons’ is the album that will set Parkway Drive Apart from the rest.

“It’s the same sound as ‘Killing With Smiles’ in the sense that it still sounds like Parkway Drive. But we have tried not to write the same record twice.”

“With ‘Horizons’ there are differences in there and we did endeavour to put them in, but at the same time there are similarities.”

Parkway Drive have progressed in their song writing and they have tried to look less to other bands for inspiration and more to themselves.

“We try and step forward every time we write an album and it may not be hugely noticeable to other people but for us this has always been a challenge.”

‘Horizons’ was produced by Killswitch Engage guitarist Adam Dutkiewicz who has also worked with the likes of……

“We’ve got to work with him twice now so we’re really good friends. I think when you work with someone you know and you’re friends with it makes it a hell of a lot easier.”

“He worked us really hard to make sure everything was the best it could be. He makes it easier because he’s very encouraging and instead of being half arsed about everything he just pushes you as opposed to bringing you down.”

Parkway Drive are not planning anything big to celebrate the release of ‘Horizons’ on October 6th. They’re just looking forward to coming home.

“The celebration for us is getting to play Australia again. I can’t wait to come home.”

Parkway Drive will be hitting the road in October for a national tour with special guests The Warriors (USA), Her Nightmare and No Apologies.

my first ever published article & interview April 2007

When asked how The Vasco Era would celebrate the release of their debut album, drummer Michael Fitzgerald replied, ‘I guess if we sell 5 million albums in the first week we’ll buy a big boat and sail around the world’. Seriously? ‘No, we just want to start playing heaps of shows and get the album out there’.

The trio from Apollo Bay in Victoria also includes brothers Ted (bass) & Sid (guitar/vocals) O’Neil. Sid, Ted and Fitzy all grew up together playing in bands since they were in their teens. ‘We’re all just mates. Most of the time it’s all really good’ says Fitzy on being in a band with two brothers. ‘I’ve only really ever had one problem’. It involved the band driving down a freeway at 100 km/h, Ted’s phone ringing, Sid answering the phone and Ted kicking Sid in the head. Poor Fitzy was stuck in the back unable to do anything.

The band began recording their album in September last year at Different Fur Recording in San Francisco. ‘The actual recording was over a month… normally when people record they do it over two months…so it was a bit stressful’. The month long recording process was all work and no play according to Fitzy. ‘We didn’t get to see much because we had two days off the whole time. We were working 12 hour days’. Who ever said that being a rock star was glamorous had obviously never met a real band before.

Jeff Saltzman was chosen to produce the album, having previously worked with the likes of The Killers and The Black Keys; both bands favourites of the Vasco Era. ‘We signed up to Universal Records and they gave us some names of people to talk to…he seemed really cool and laid back and interested in what we were doing with the album’. Major record labels are notoriously renowned for not giving bands freedom when recording their album. Usually all they care about is selling as many records as possible. This was not the case with The Vasco Era and Universal Records. ‘We had a lot of ideas already and they pretty much just wanted to make sure that we did it with someone with a bit of a name…someone who might help us’. It’s nice to know that there is still some originality in music we listen to and it isn’t all created with the idea of becoming a #1 single. ‘We didn’t want to make a strong commercial album and it sounded like he [Saltzman] was up for that’.

And the finished product? Ten blues/metal/rock (whatever you want to call it) songs on an album titled ‘Oh We Do like to be beside the Seaside’. The title obviously comes from the fact that Sid, Ted and Fitzy grew up beside the sea in Apollo Bay. ‘The whole album is like a big story…based on experiences from Apollo Bay’. Two songs off the album are already getting airplay, titled When It First Showed Up & When All Was Lost. But according to Fitzy, people should wait until the album comes out so they can hear the songs properly. ‘With this type of [concept] album its hard just putting one song on the radio…because the album as itself flows so well…to listen to one song by itself can be a bit confusing’.

Oh We Do like to be beside the Seaside’s sound is a lot different to their last two EP’s. ‘The first EP was pretty bluesy and the second…we won a competition to record so there wasn’t much time of effort put into it’. The Vasco Era believe that this is a showcase of their best material with no song on the album alike. ‘One could be really soft and acoustic…and then the next one could be really rock’.

The Vasco Era’s influences for this album came from a wide variety of artists, although when Fitzy was asked the question, he wasn’t quite sure whether they had actually had any influence on them. ‘We listen to Bob Dylan and Nick Cave and grew up listening to Neil Young and The Beatles. I don’t know whether they influenced us. They probably did…it makes sense they would because where else would we get influences’? Fitzy didn’t always know that he would one day be a drummer but couldn’t find anything else to do. ‘I’ve always been into music and I played music a lot growing up. I didn’t know whether I’d do it as a career or not’. So what would he do if he wasn’t a rock star? ‘I also played a lot of sport as well. I think the idea was either do sports and if you’re not good enough try and do music. It ended up that I wasn’t good enough for sports so I gave music a try’. I’m sure a lot of people, especially musicians will agree.

The Vasco Era are getting restless and cannot wait to showcase their new album to the world. After the album is released on May 5th the trio will embark on a national tour beginning at the end of May (after they’ve sailed around the world on their big boat). ‘We’re really happy with it [the album]. It’s just a matter of other people hearing it… hopefully everyone likes it’. Fans have been waiting a long time for this album to come and according to The Vasco Era, they won’t be disappointed.

Monday, October 13, 2008

Tin Alley are breaking the ice with new fans

ON their last national tour, the stages and venues Tin Alley were set to grace were left empty.

Fans eager to see them live sat at home twiddling their thumbs.

And the Melbourne rock trio sat at home wondering what to do next.

Just days before they were set to leave on their first major tour, drummer Pete Hofbauer was involved in a motorcycle accident.

Frontman and guitarist Jim Siourthas thought that could have been the end of Tin Alley.

“Pete was out of action for a few months and we had to cancel all our shows,” Siourthas said.

With Jim’s brother Paul on bass, all is well in Tin Alley, and the band can’t wait to hit the road.

“It is really good to finally get out there now with Pete in one piece,” Siourthas revealed.

As with most bands, touring is what it’s all about for Tin Alley who thrive on sharing their music with as many people as possible.

“My favourite thing about touring is meeting different people everywhere and having the opportunity to travel around,” says Siourthas.

“We went to Hobart and played a show and we had a great time doing sightseeing and being tourists.
“We wouldn’t have had the opportunity to do that if we weren’t touring.”

Releasing their debut album Every Turn in October 2007, Tin Alley have enjoyed regular airplay on stations like Triple J and 3RRR and have acquired a dedicated fan base around the country.

In June this year, Tin Alley released their new single ‘Polar Bear’.

When asked why they chose ‘Polar Bear’ as their second single and third release in nine months, Siourthas’ response was simple.

“It’s a great song. It is funky and it gets people moving,” he says.

It also has a strange name and an interesting story behind it, which it seems the band love to talk about.

“My brother Paul was out one night at a Melbourne club and a hot looking girl came up next to him,” Siourthas said. “He turned to his friends and asked them what a good icebreaker was.”

“She heard the question and turned around to him and said, ‘Polar bears. Polar bears break ice’. She walked off and Paul went home and wrote ‘Polar Bear’.”

Tin Alley’s sound is as diverse as their song titles and their influences have been plucked from a range of genres, in particular rock.
“I’d say the biggest influences would be Pearl Jam, Stone Temple Pilots, The Doors and Smashing Pumpkins. There’s so many bands I listen to the list could go on forever,” says Siourthas.

Like so many other successful musicians, Siourthas knew he wanted to play in a band from the moment he picked up a guitar at the age of seven.

“I was in my first band when I was about 14 and have been in and out of bands since then,” he says.

According to Siourthas, when Tin Alley were still playing in each others garage, they had not yet found their own style.

“I think in the early days we were struggling to have our own individual sound. Instead of writing our own songs, we were subconsciously copying other bands sounds and styles,” he said.

As time goes on, Tin Alley have thankfully developed their own signature sound according to Siourthas.

“Music is like wine,” he explains. “The more you work at it the more it matures. Our music is reaching a much higher standard as time goes on and has definitely changed since we started out.”

Riff Clothing

I have started a clothing company.

www.riffclothing.com.au

www.myspace.com/riffclothingau

Yes, it's very small and I haven't even got any of my own
designs done yet but i promise whoever
reads this that they're going to be good.

And limited edition so you won't look like everyone else.

Check it out and tell EVERYONE you know
about rock inspired fashion & footwear.

It's coming.


xxx

Monday, September 22, 2008

here's another i wrote about fair trade coffee

Hessian bags line the ground, overflowing with red berries. Farmers chat amongst themselves, carefully pulling each berry off, as if their lives depend on it. With grins on their faces, they haul 60-kilogram bags up the steep green hills that surround them and their villages.

Isolated from the realms of modern society, the only way to access these tiny villages is via muddy slopes that resemble a riverbed rather than a road. Trucks and Ute’s with no windows have seen better days as they carry the bags down to the city centre.

This is a day in the life of Papua New Guinean coffee farmers. Every day they struggle to survive, with the coffee they carefully farm their only source of income.

Coffee farmers all over the world struggle to survive, being paid a bare minimum price for the beans that are their livelihood. In Papua New Guinea it is no different.

Schools with no desks, health centres with no beds and families with no money. This is the life that they have come to know. But all that is about to change.

Introducing Fair Trade, an initiative that will allow coffee famers and other agricultural farmers to be treated as equals in the global trading market.

This initiative has only recently been introduced to Australia, but has already had enormous success in Europe, with the same endeavour planned for the rest of the world.

Coffee Connections is one business playing an enormous role in the highland coffee farms of Papua New Guinea.

Their warehouse in Goroka, PNG is filled to the roof with hundreds of bags of coffee beans, ready to send off to café’s and restaurants, many based in Melbourne.

“Coffee Connections saw the opportunity for growth in the international market and sponsored its collection of contracted organic farmers to form a co-operative movement so as to benefit from the premiums,” says Coffee Connections’ Marketing Manager, Craig McConaghy.

As the beans are washed and sorted by hand, they are almost ready to enter they highly competitive coffee market where one kilo will usually sell for less than we consumers pay for a single cup.

“Small coffee farmers in PNG lack the cohesion, the funds and the acumen to put it all together without the help of a benevolent sponsor,” says McConaghy,” PNG does not have a marketing problem, just a production problem. The Government has forgotten about them.”

Around 85% of coffee grown in PNG is grown on small farms of less than two acres, a tiny granule in the global coffee market. There are four major coffee roasters in the world (Kraft, Nestle, Procter & Gamble and Sara Lee), that combined, buy almost half the world’s coffee beans each year, often paying farmers the lowest possible price.

But organisations such as Oxfam are on a mission to change this through campaigns such as Make Trade Fair that raise awareness in the general public.

Oxfam Australia’s Trade Campaign Manager, Jeff Atkinson says that Fair Trade is definitely a step in the right directions, but will by no means alleviate poverty.

“We try to raise awareness of the fact that many of the producers of the products we buy live in poor circumstances and get a very low price for their products,” says Atkinson, “Our role is to promote the idea and to hopefully increase demand for Fair Trade certified products.”

Women and their children sit in a large warehouse, coffee beans strewn across the floor, as they sort through millions of beans, only keeping the perfect.

As the coffee beans are loaded into ships containers bound for café’s and restaurants all over the world, Gavan Hogan from Five Senses Coffee in Melbourne is awaiting his next shipment.

In a room no bigger than a garage, bags and containers of coffee beans line the walls. The aroma of roasting coffee floats out into the street and the sound of the coffee grinder whirring can be heard from outside.

The coffee lining the walls comes from all over the world, from Dominica to Kenya and Costa Rica to PNG. Five Senses deals directly with PNG coffee farmers, giving them an above average price for their beans.

According to Hogan, “The initial motivation was to send back money to PNG and coffee was the medium through which we did that.” Having lived in Goroka, the coffee centre of PNG, Hogan was aware of the dire situation the coffee farmers were in and acted upon what he saw.

In the beginning, they imported only a few bags of coffee at a time. Five Senses now imports container loads of beans and sells them on to café’s and restaurants across Melbourne.

“When we buy the coffee we pay for it upfront and part of the money we pay for fair trade coffee goes towards infrastructure and development in the village or in the area where the coffee comes from,” he says.

Fair Trade has created a unique trading system that does not just consider economic benefits but also focuses on the benefits to farmers in third world countries.

The extra money the farmers are receiving, although only a small amount, has led to vast improvements in healthcare and education, and has also contributed to economic independence.
For McConaghy, who lives amongst these farmers, he can see the positive impact Fair Trade is having on the economy.

“The money that villages earn from coffee growing, goes towards special items such as school fees and extra family items.”

According to Dr Anna Hutchens from the Australian National University, Fair Trade “demonstrates that an alternative model of trade, in which small producers are respected and empowered rather then exploited, is possible.”

Dr Hutchens goes on to explain “that international trade can benefit those at the very bottom of the economic ladder if certain principles and practices are prioritised.”

In Melbourne alone, thousands of cups of coffee are consumed of every second of every day. If you look down any bustling city or suburban street, it is clear the coffee industry is thriving, with café’s and coffee bars lining the streets.

Statistics from Oxfam reveal that eight per cent more coffee is currently being produced than consumed. Although the current growth rate for demand is around one per cent per year, supply is increasing at a rate of two per cent, which is no match for the small family farms in PNG.
Unlike major coffee producers such as Brazil, where mechanised coffee farms stretch as far as the eye can see, each farm in PNG is normally one or two acres.

Plastic sheets are spread across the ground all through the villages, covered in tiny white beans waiting their turn to become the next espresso.

“Despite its rapid growth, the Fair Trade market is still a very small percentage of all world trade,” says Dr Hutchens.

A significant reason for the small percentage of Fair Trade products is the high barriers to entry set by the Fairtrade Labelling Organisation. It can take up to two years for a company to be certified as Fair Trade and there are forests of paperwork to complete.

“There are high barriers to entry, such as costs and compliance issues into the fair trade market,” says McConaghy.

The number of Fair Trade products available is dramatically increasing each year, but the majority of regular coffee drinkers are not aware of the millions of lives they affect with every cup of coffee they consume.

“As consumers learn about Fair Trade and become more discerning about the goods they buy, companies are pressured to meet the demands for Fair Trade products,” says Dr Hutchens, when asked about consumers’ knowledge of the initiative.

International coffee companies such as Starbucks strongly emphasise their ‘socially responsible’ coffee but are still as yet to jump on the Fair Trade bandwagon.

One regular coffee consumer, Amanda Cooper was taken aback when informed about the Fair Trade campaign.

“I’ve never really thought about where my coffee comes from,” she says, speaking for millions of other coffee drinkers around Australia.

“If I was made more aware of Fair Trade, I would definitely buy it because the small farmers need to be supported, like in any industry.”

For Hogan, the Fair Trade movement “allows people who drink coffee to feel good about the purchase they make. People who are socially aware would buy fair trade coffee over other sorts of coffee.”

According to McConaghy, “When you get that marketing package together, then people in those consuming nations sleep better at night in the knowledge that they are perhaps making a contribution to those who are not as well off.”

McConaghy also believes that Fair Trade will not work to its full potential unless the PNG Government are prepared to become involved.

“Fair Trade may bring more cohesion to the society and make their lives more comfortable, however, it will not reduce poverty unless Government initiatives are more aligned with those of the needs and aspirations of the rural dwellers.”

Although the idea of Fair Trade is assisting to create an ethical trading system, there is still a lot that needs to be done.

“It will give better opportunities for societies to organise themselves and take some control of their destiny,” says McConaghy,” but all the farmers in PNG are bush economists”.
The farmers will always want a higher price for their coffee, no matter what the international market price is doing.

Five Senses Coffee will continue to support Fair Trade, Hogan describing it as “an attempt at making sure that the farmers in PNG and other countries get paid a fair price. It doesn’t always work as well as we would hope, but it is an attempt.”

Although one of the aims of Fair Trade is to eventually assist in fighting global poverty, it will be a few years until we see anything to that affect.

“It will not alleviate poverty but it may ensure that workers are not exploited for their labour,” says McConaghy.

As the Fair Trade coffee from PNG is unloaded from the containers and arrives as cappuccinos in the hands of coffee connoisseurs’ across Melbourne, the taste will be no different and it is still just as addictive. But it is different.

So the next time you order a skinny decaf latte, stop and think about how one cup could change someone’s life.

feature profile i wrote for class last year

At 6.30pm on a Monday night, on the Mornington Peninsula, Duncan Buchanan tries to think of a way to best describe his job. Two guitars and a banjo hang on the wall, a drum kit and a piano in the other room; CD’s and vinyls line the walls. Anyone would think he’s an aspiring musician.

“I like to think I can play those,” he says. “Other people may beg to differ.” Duncan is not a musician. He is a winemaker and viticulturalist; but not just any.

Duncan has recently been appointed as the chief winemaker and viticulturalist for Dromana Estate, one of the biggest wine producers on the Mornington Peninsula.

According to the Mornington Peninsula Vignerons Association, there are over 200 vineyards on the Mornington Peninsula with Dromana Estate being one of the biggest and the best.

Established in 1982, Dromana Estate produces over 20’000 cases of wine a year and is recognised worldwide.

“Everything that happens in the vineyard and winery has to go through me to be approved,” says Duncan. From dealing with vineyard issues to wine styles to the hiring and firing of people, Duncan has his hands full. “I have a lot of input into what gets done but I don’t do a lot of it.”

Growing up on the Mornington Peninsula as the youngest of five boys, Duncan wanted to be an accountant or maybe an electrician. Right now, he couldn’t be further from what he perceived.

Moving to Melbourne at the age of 19, Duncan admits he was clueless. “I got a job in what was at the time a very fashionable clothing shop. All of a sudden I’m wearing a suit to work every day.” A bit different to the heavy work boots and dirt under the fingernails he encounters today.

After getting bored with the suit-wearing and ‘dealing with the public life’, Duncan decided that it was time to conquer the big wide world, of travelling around India.

“I came back from India a remarkably skinny 22 year old who didn’t know what the hell he was going to do,” said Duncan. “I ended up working for a vineyard contracting business called Vaughan Vineyard Maintenance and doing a degree through that.”

Just six years later Duncan finished his viticulture degree at Charles Sturt University in Wagga. According to Duncan it was the best experience ever. “You’re working and studying at the same time so it’s fairly difficult but you’re getting industry experience as well as your tertiary qualifications.”

With 15 years of experience under his belt, Duncan has tried everything job-wise in the wine industry. “I was a vineyard labourer to start with. I’ve managed vineyards and I had my own viticultural consultancy company for a couple of years.”

The Mornington Peninsula is well known for creating a variety of wine varieties at very high quality. So to ask a winemaker what his favourite wine to make is may seem like the hardest question to ask.

But Duncan did not have to think twice about his answer.

“My favourite wine to make from a challenge point of view is pinot noir. I’m sure you’d get the same answer out of a lot of Mornington Peninsula producers.”

“It presents a good challenge and when you get it right it’s fantastic. It is a real sense of accomplishment.”

The Mornington Peninsula is famous for its pinot noir which is just as well as it is the wine that has the most effort put into it.

As the youngest of five boys, Duncan’s mother Lorraine couldn’t be more proud of what her son has achieved. “I am very proud of him. He has climbed up the ladder and done it all on his own,” she says.

“He is quite bright and did very well in school. He’s a lovely person, very caring.”

Everyone has people who have inspired them throughout their careers, but for Duncan many people inspired him through their negativity.

“There are people who have been inspirational in their negativity. A lot of people have stared down their nose at what you do and say you’ll never make it through.” Duncan said.

“It’s just a shot in the arm you need to prove them wrong.”

Duncan certainly has proved them wrong and he has some sound advice for dealing with people like that.

“Take their negativity and just bounce straight off it. Don’t ever let it get to you.”

But not all have been discouraging. Two prominent viticulturalists in particular, based on the Mornington Peninsula have helped Duncan get to where he is today.

“There’s never one actual person that has been an amazing inspiration. A man called Joe Vaughan was a really good inspiration in the start of my career.

“[Also] my former boss Rollo Crittenden; he’s a bit of a hard bastard, just because he used to push a lot.”

Retiring to work on the family vineyard, Rollo is nothing but complimentary of what he thinks Duncan can achieve at Dromana Estate.

“Duncan has been in the industry long enough and has a practical mind. He knows when to have fun and when to knuckle down. I think he’ll do a good job.”

In every job, no matter how glamorous it is, there are good and bad things about it. According to Duncan, the best thing about his job is making wine and seeing the end result. Sound’s a bit obvious doesn’t it? But apparently, there is a lot more too it.

“I think the best part of my job is putting out something that looks great and to think ‘we made this’. It’s remarkably rewarding being able to pour it around for your mates.”

When asked what the worst thing about his job is, Duncan struggled to think of something. Eventually he came up with something that many people would agree with: dealing with the public.

Just returning from a wine trade show in Sydney, Duncan says he loved to chat to people in the industry about Australian wine. From 5pm every night the trade show was open to the public. Costing $30 for entry, many people saw it as a chance to drink as much as they can in the space of four hours.

“It’s very difficult to keep smiling and trying to be the remarkable ambassador for your wine brand. You just want them to all go home and go to bed.”

When Duncan is not in the winery or out in the vineyard, he is usually found sitting at a piano and playing the guitar, trying to teach himself a new song.

Playing in a number of bands when he was younger, Duncan admits he lost the enthusiasm a long time ago.

“When I was in my 20’s, I’d drive to the Tote Hotel on a Tuesday night and play in front of half a dozen people for a couple of pints of beer and that was okay.”

“Music for me is a hobby and I’ve always treated it as such.”

So he’s never going to be a famous musician then?

“If I’m ever going to be a millionaire I’m going to have to get very good at making wine. I’m certainly not talented or young enough to be making a heap of money out of music.”

Thursday, September 18, 2008

scream until your heart stops

welcome to whoever (if anyone) reads this.

i love music.

enough said.

xxx